Dylan's Visions of Sin

Dylan has always had a way with words. He does not simply have his way with them, since a true comprehender of words is no more their master, than he or she is their servant. The triangle of Dylan's music, his voice and his unpropitiatory words: this is still his equilateral thinking.

One day a critic may do justice not just to all three of these independent powers, but to their interdependence in Dylan's art. The interdependence doesn't have to be a competition, it is a culmination -- the word chosen by Allen Ginsberg, who could bean awe-inspiring poet and was an endearing awful music-maker, for whom Dylan's songs were "the culmination of Poetry-music as dreamt of in the '50s & early 60s". Dylan himself has answered when asked:

Why are you doing what you're doing?

[Pause] "Because I don't know anything else to do. I'm good at it."

How would you describe "it"?

"I'm an an artist. I try to create art."

What follows this clarity, or follows from it, has been differently put by him over the forty years, finding itself crediting the words and the music variously at various times. The point of juxtaposing his utterances isn't to catch him out, it is to see him catching different emphases in all this, undulating and diverse.

WORDS RULE, OKAY?

"I consider myself a poet first and a musician second."

"It ain't the melodies that're important man, it's the words."

MUSIC RULES, OKAY?

"Anyway it's the song itself that matters, not the sound of the song. I only look at them musically. I only look at them as things to sing. It's the music that the words are sung to that's important. I write the songs because I need something to sing. It's the difference between the words on paper and the song. The song disappears into the air, the paper stays."

NEITHER ACOUSTIC NOR ELECTRIC RULES, OKAY?

Do you prefer playing acoustic over electric?

"They're pretty much equal to use. I try not to deface the song with electricity or non-electricity. I'd rather get something out of the song verbally and phonetically than depend on tonality of instruments.

JOINT RULE, OKAY?

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